Books with title The Thought Fox

The Fox is a novella by D. H. Lawrence which first appeared in The Dial in 1922. Set in Berkshire, England, during World War I, The Fox, like many of D. H. Lawrence's other major works, deals with the psychological relationships of three protagonists in a triangle of love and hatred. Without the help of any male laborers, Nellie March and Jill Banford struggle to maintain a marginal livelihood at the Bailey Farm. A fox has raged through the poultry, and although the women—particularly the more masculine Nellie—have tried to shoot the intruder, he seems always to elude traps or gunshot.

The Fox is a novella by D. H. Lawrence which first appeared in The Dial in 1922.[1] Set in Berkshire, England, during World War I, The Fox, like many of D. H. Lawrence’s other major works, deals with the psychological relationships of three protagonists in a triangle of love and hatred. Without the help of any male laborers, Nellie March and Jill Banford struggle to maintain a marginal livelihood at the Bailey Farm. A fox has raged through the poultry, and although the women—particularly the more masculine Nellie—have tried to shoot the intruder, he seems always to elude traps or gunshot.

The two girls were usually known by their surnames, Banford and March. They had taken the farm together, intending to work it all by themselves: that is, they were going to rear chickens, make a living by poultry, and add to this by keeping a cow, and raising one or two young beasts. Unfortunately, things did not turn out well.Banford was a small, thin, delicate thing with spectacles. She, however, was the principal investor, for March had little or no money. Banford’s father, who was a tradesman in Islington, gave his daughter the start, for her health’s sake, and because he loved her, and because it did not look as if she would marry. March was more robust. She had learned carpentry and joinery at the evening classes in Islington. She would be the man about the place. They had, moreover, Banford’s old grandfather living with them at the start. He had been a farmer. But unfortunately the old man died after he had been at Bailey Farm for a year. Then the two girls were left alone.

Thought Forms is a book, by Annie Besant and C.W. Leadbeater, which is a study on the nature and power of thoughts. The authors state that thoughts have two effects: "a radiating vibration and a floating form". Thought forms are divided into three classes: - That which takes the image of the thinker. - That which takes the image of some material object. - That which takes a form entirely its own, expressing its inherent qualities in the matter which it draws round it. The effect of music, emotions, and colors on thought forms is also studied in the book. The effect of the music of Felix Mendelssohn (No. 9 of his "Songs without words"), Charles Gounod (Soldiers Chorus from "Faust") and Richard Wagner (Overture to "The Meistersingers") is studied. The music of Wagner produced a "marvellous mountain-range" on the thought forms.

The Fox is a novella by D. H. Lawrence which first appeared in The Dial in 1922. Set in Berkshire, England, during World War l, The Fox, like many of D. H. Lawrence’s other major works, deals with the psychological relationship of three protagonists in a triangle of love and hatred. Without the help of any male laborers, Nellie March and Jill Banford struggle to maintain a marginal livelihood at the Bailey Farm. A Fox has raged through the poultry, and although the women particularly the more masculine Nelie have tried to shoot the intruder, he seems always to elude traps or gunshot.

The Fox is a novella by D. H. Lawrence which first appeared in The Dial in 1922.[1] Set in Berkshire, England, during World War I, The Fox, like many of D. H. Lawrence’s other major works, deals with the psychological relationships of three protagonists in a triangle of love and hatred. Without the help of any male laborers, Nellie March and Jill Banford struggle to maintain a marginal livelihood at the Bailey Farm. A fox has raged through the poultry, and although the women—particularly the more masculine Nellie—have tried to shoot the intruder, he seems always to elude traps or gunshot.